For instance, the “Color Correction” tool is limited and can’t dial a specific range of colors. For me, among the three, it fell into last place here. The positives almost end there, as the color and exposure tools really had no substance in comparison to Capture One or even Camera Raw. That lead to more clues about what’s to come. There is distinct mid-tone separation and complexity with colors that Corel’s AfterShot doesn’t have. Photo by John Schell, Processed Through Capture OneĮven within areas like the sweaters worn by the models, you notice natural color variations within each thread of fabric. Corel’s AfterShot was much better and coming closer to Capture One Putting it through its paces, I soon learned a couple of fundamental points.Īs you can see, and not shockingly, ACR was awful in color rendition. Let’s see what’s under the hood and how it runs! If you’re familiar with any other raw processor, it will all make sense to you.
![capture one pro vs photoshop capture one pro vs photoshop](https://cdn.fstoppers.com/media/2014/07/fstoppers-michael-woloszynowicz-lightroom-vs-capture-one-image-comparison-1.jpg)
A positive of the program is how easy it is to navigate and understand. Jumping in, the first element was the layout. I was excited to play with Corel AfterShot Pro 3 because the root of my digital transition into art started with Corel programs like Painter. Now within the photography world, the ability to play with various raw converters allows me to explore more tools that may prove helpful. Aside from images that specifically state otherwise, each of the photos below was not adjusted in any way, other than to be opened in a different RAW processor.
#Capture one pro vs photoshop full
The full review is still in progress.īelow is straight from the expert himself, Pratik Naik. This is not Resource’s full review of AfterShot Pro 3, but a retoucher’s perspective on the core RAW algorithms.
#Capture one pro vs photoshop software
Pratik is incredibly knowledgeable on the subject of RAW processing software and understands not only what should be happening, but why something is or isn’t following along that route. To help us really evaluate the software, we once again enlisted the help of one of the best retouchers in the world, Pratik Naik of Solstice Retouch. Our last test pitted Affinity Photo against Adobe Camera Raw (ACR), and we found Affinity to be superior in it’s core algorithm. If you’ve been a reader of Resource, you’ll recognize that we do this every time we catch wind of a new raw algorithm, because there are so very few out there and the way they treat the same file is fascinating to look at. Though AfterShot Pro 3 is a lot more than the sum of its parts, and we are presently conducting a full review of the software, we did want to take a look specifically at that unique raw editor. It has many of the same features, some even more robust than that of Adobe’s, and has a proprietary raw algorithm unique to Corel products. Please visit our Patreon site for full details, and take your photography to a whole new level!Įxisting Patrons please login to access posts and benefits.Earlier today, Corel announced AfterShot Pro 3, a program that looks like a legitimate threat to Adobe Lightroom’s dominance. There are also higher tiers with various benefits, some including one-to-one Mentorship. If you value what we do, please consider a Patreon contribution of $3 or more to unlock the full text of more than 760 posts and gain access to the exclusive MBP Community. You are welcome to listen to the Podcast with the audio player and follow along with the images discussed below. Martin Bailey has been releasing weekly podcasts and blog posts since 2005! Almost all of the 760+ posts here contain a full text article with photographs and illustations, and take at least one day, sometimes three to four days to produce. But, I find that with modern printers doing such a good job of reproducing colors that the human eye perceives to be very close to the original colors in the photograph, even without being able.
![capture one pro vs photoshop capture one pro vs photoshop](https://farm5.staticflickr.com/4531/38797371461_62d31d12a2_o.jpg)
I'd been meaning to do a video on soft-proofing in Capture One Pro for a while, so thanks for the question Chris! Soft proofing in Capture One Pro isn’t as useful as it could be, due to the lack of gamut warnings. This week I've created a video to explain soft-proofing for print in Capture One Pro and Photoshop, in response to a question from Chris Moore.